Dylan graduated from Brighton Film School and and went on to complete an MA in Creative Writing at Bath Spa University. He has worked on award-winning short and feature films. He also contributes to the entertainment website Squabblebox.co.uk, and you can email him or find him on Twitter too.
Across a series of articles, Dylan charts other efforts to re-write Homer's great epic. This week, he looks at two kinds of Ulysses.
Dylan explores the balance of coincidence and plausibility in The Odyssey.
Dylan charts the significance of the cannibal taboo in storytelling, and asks how this changes the way we see the Laestrygonians.
How can a single story be told in many different ways? And how can this help new writers? Dylan's here to find out.